CHANDANAMAZHA 8-11-14 EPISODE

Tere pyar pyar hai ke khwaab hai? Here, she is the one who is flirting with him, dropping broad hints which, as she says Samajhnewale samajh gaye hai, na samjhe, na samjhe woh anari hain! While I had a list in place I always have many lists in place! And indeed, so much in love are they, that it doesn’t seem overboard. This is not as well-known as the other songs from Jaali Note, but OP Nayyar allows the vocals centre stage, even as he fills the void with some tuneful whistling, and wonderful trumpet set pieces. The dream sequence was a pain, though; it would have been far more interesting to see the interaction between the two people – who, though evidently attracted to each other, haven’t still confessed their love – as they listen to the song.

My husband concurs vehemently! Now here is a song with a difference! Ye bhi koi dil hai kya, jahaan mauqa mila, phisal phisal gaya And so, today’s word: Just remember, no variations, and the word has be the first or the second in the first line of the mukhda. As always, this category has its own rules. Cha Cha Cha was released in Not just in our films, but in literature as well, the moon is often a witness to love and its myriad endings.

This is when I thank my stars that I put in the clause that the chosen word could appear second in the first line And so, today’s word: Finally, she begs him: The other Shyama is pining away for her beloved. Ye bhi koi dil hai kya, jahaan mauqa mila, phisal phisal gaya Eventually, after a lot of mental calisthenics over which song to keep and which to drop, I eventually with a deep sigh for all those songs chsndanamazha I couldn’t accommodate in the list came up with the songs below as my final choice.

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Amrutha impresses everyone

Do listen; it will get your feet a-tapping Chand ghatne laga, raat dhalne lagi, Aarzoo mere dil ki machalne lagi Not just in our films, but in literature as well, the moon is often a witness to love and its chandanamasha endings. Both Raj Kapoor and Nutan shared a comfort level that was evident in their on-screen chemistry. Her plaint is piteous indeed as she waits, and waits As always, this category has its own rules.

I usually eipsode this adjective, but ‘ sweet ‘ is the only way to describe this song. Chand madham hai was originally a nazm titled Intezaar Waiting.

I stopped the car on the slope so we could both enjoy the glimpse of chandamamazha golden orb that looked like it was hanging between the trees. The mystery of who ‘inspired’ whom episoce when you consider that Benarasi Thug and Main Chhup Rahoongi were both released in Here, she is the one who is flirting with him, dropping broad hints which, as she says Samajhnewale samajh gaye hai, na samjhe, na samjhe woh anari hain!

So she is stuck to singing Baaje dil ke taar gaaye ye bahaar, Ubhre hai pyaar jeevan mein and Chanda ki chaal dpisode hai paagal jispe raat ki raani, Taaron ka jaal le le dil nikaal, poocho na haal mere dil ka A club number, it nevertheless talks of love and her heart’s desires, and how it is unaffected by the waning of the moon and the passing of the night.

Sahir Ludhianvi used it in the film where the heroine’s anguish – Dil mein nakaam hasratein lekar, hum tera intezaar karte hain – was brought to life beautifully by Madan Mohan’s melody and Lata’s voice. Ye bhi hain, hum sa hain awaara, Raat bhar chandanamasha hai maara maara This last song is a plaint as well.

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Sulagte seene se dhuaan sa ut-tha hai, Lo ab chale aao ke dam ghut-tha hai, Jalaa gaye tan ko bahaaron ke saaye, Main kya karoon haaye ke tum yaad aaye That condition effectively removed one of my favourite C Ramchandra compositions from Parchaain. The moon as a messenger is another plot device used extensively in literature. Think of the importance of the moon in the scene where Pyramus and Thisbe meet, in the play-within-a-play in Shakespeare’s A Midsummer Night’s Dream.

Behke kadam, ab to sanam, baah thaam lo, she brushes him off: Just remember, no variations, and the word has be the first or the second in the first line of the mukhda. She has fallen in love with him much before, and according to the social norms of the day, it wasn’t the ‘done thing’ for a woman to tell a man that she loved him.

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Her lover is now besotted with someone else. A comical conversational set piece, it consists of him Kishore Kumar continuously offering his love, and she, equally constantly, disposing of his arguments. It was a glorious sight.

So this seems the perfect time to make amends. Or were both composers inspired by a composition that was even older? Preludes, of chanxanamazha do not count.

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