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Personally I actually prefer the JFX Premium in being a tad more expressive and coherent but I could imagine the JSX Superior to work well if you are looking for a more clean presentation. Various high-grade Mundorf capacitors that I compared the RS to all seemed to high-light that area a bit. So as a reality check I tried the much lower cost and still very good Jantzen Audio Alumen Z-Cap, just to see if I should indeed rate the Duelund so high. Another interesting article was written by Martin Colloms back in in which he tested several capacitors on their sonic differences. This capacitor is the realisation of a lifelong ambition. In all the loudspeaker crossovers I tested them in, they just sounded so logical everytime. Compared to an Audyn Cap Plus they sound dull, mushy and closed-in.

Here is a video of one of the loudspeakers that I use. The soundstage is produced with lots of contrast, great depth and heaps of micro detail. Everything just sounds so logical. Available at ratings of Vdc, Vdc, Vdc and Vdc, it offers audio engineers the maximum flexibility when considering components for their circuits. I can advise them if you are looking for a high-end cap but are on a relatively tight budget. The Standard Z-Cap is good if you are looking for a capacitor that renders well without getting too bright. The component is manufactured in such a way to substantially reduce the negative effects of resonance on sonic quality which is inherent in a wound component.

The MCap’s are slightly more midrange focussed. One of my personal allround favourites: Shelf life 12 years. PulseX caps are then wrapped in flame proof polyester tape and the ends are epoxy filled. This is not done by artificial emphasis on the top end, it is more “just right”.

They reveal micro-information in a way that reminds me of a Hovland Musicap but without the Hovland loudness effect. This in turn results in an extremely low rest resistance and very low equivalent series inductivity.

Which co,edy be best for you will depend on the rest of your system and personal taste.

So as a reality check I tried the much lower cost and still very good Jantzen Audio Alumen Z-Cap, just to see if I should indeed rate the Duelund so high. Ais are not very subtle either but they never get harsh or over bright. The RS-Cu was far better in regards to the realism, richness of harmonic overtones, etc. It seems like the silver content makes the top end “shine” a little more, making it easier to differentiate between all the rich harmonic overtones this type of music is well known for.

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These are recommended for use in I. Now that is what I call built to industrial standards! The polypropylene foil used was dampened with a metal layer of maximum thickness.

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After extensive thomaw they smooth out nicely. I guess this forwardness is also partly to do with a slightly rolled off top end of the MKP Sometimes too detailed for my liking which makes them less coherent than the Superior Z-Cap but this cn only be an issue in systems tbomas are already on the bright side of neutral.

Wherever possible capacitance tolerance and working voltage are clearly indicated by black digital lettering, but on small components a letter code is used thonas tolerance. The component is manufactured in such a way to substantially reduce the negative effects of resonance on sonic quality which is inherent in a wound component. Especially when you have been “cooking” to find your favourite mix of capacitors and only need to cement the different characters together.

But zid a few weeks of normal use they deliver a spatial sound with lots of depth that only gets better as time passes. Manufactured from polypropylene film the component is supplied in the familiar wrap and end seal style, wrapped in a polyester tape and encapsulated in an epoxy resin. The Sonicap leads are tinned solid copper high purity. But after a few days of normal use they deliver a reasonably wide and open sound stage.

I can imagine them to work well in woofer impedance correction networks, where as the Vishay MKT actually works well in the direct signal path.

As with all metalized polypropylene film capacitors Auricaps are self healing. Furthermore, rhomas only information I could find about these capacitors was from sites such as Ebay, Amazon and AliExpress.

High-quality capacitor for active audio and excellent for tube amplifiers”. Analogue is the word that keeps popping-up in my head when trying to describe these capacitors. Over the past few years I have used these in many different combinations and everytime they just added more to the overall sound. But the Q-Cap doesn’t have that 209 lush and intimate character that makes the Jupiter so convincing and lovable. Not quite as coherent as the Vishay MKT but still pleasent.

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Imaging depth is very good but not quite at the same level as their paper-in-wax or polyester-in-oil stable mates.

I found the MCap Evo Oil to do especially well on vocals, male and female voices come out well rendered and relatively natural sounding with warbeerg certain richness. This nature does make them subjecively more dynamic which can work well in certain systems or with certain types of music such as solo piano or string quartets.

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So summing things up: High quality and durability of the capacitors is assured by the use of carefully selected materials, production technology, as well as testing and measuring methods. Voltage rating 0,10uF – 0,33uF: With the Rike Audio M-PP there seems to be a little emphasis on the lower treble forming a contrast with capacitors like the Mundorf EVO Oil that have some emphasis on the top part of the treble.

Very smooth and liquid. The performance is very close to our Silver Gold Z-Cap, but with slightly less brightness and a little more natural top end balance, for customers who prefer a slightly less bright system. However, the effect has never been considered to be significant enough to affect a hi-fi system’s audio reproduction due to the low energy involved.

On some types of music I couldn’t hear any differences at all but with high quality recordings on a high quality system the relative differences could be heard – nothing shocking, but noticable most of the time. But I find the lower treble lacks some refinement, a bit “in your face”. The tonal balance is extremely neutral, especially audible with good recordings of acoustic instruments and the human voice, so mainly with classical music.

Frequency converters, Industrial and high-end power supplies, Solar inverters; Max. Solo piano music is thoomas defined and above middle C realistically dynamic.

The overall clean and intimate character combined with good image depth lets you pick out things in the background that would otherwise with standard quality MKP’s get lost in the total mass of musical information. Jantzen Audio themselves state:

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