WATCH LAST TANGO IN HALIFAX BBC IPLAYER

But the BBC, which sees the streamers as a threat to its historical dominance in drama and documentary, is retaliating with the same weapon. Many of the dramas now regarded as peaks of the medium — including Breaking Bad and The Wire — were only classified as classics through catch-up consumption. Such deals are sometimes cited as a model for British broadcasters to band together against the international threat. If Auntie streams more work free for longer, then presumably the value of its own second-rights deals with Netflix would reduce, in turn making it even harder to fund the enhanced streaming deals that independent producers would understandably seek. Digital viewing alternatives, though, gradually destroyed the market, until, in , streaming and downloading overtook DVDs , in both the UK and US, as the primary method of secondary viewing. But the corporation can be prone, in such negotiations, to present itself as a sort of broadcasting charity. Evidence suggests that a growing section of the audience prefers to watch — or re-watch — series, particular drama, as a continuous narrative.

The magazine Broadcast recently reported that the BBC plans to make an increasing number of shows available as box sets for extended periods of time. Threads collapsed expanded unthreaded. Such deals are sometimes cited as a model for British broadcasters to band together against the international threat. Streaming has also crucially given a second chance to shows that were overlooked or undervalued when first released. Viewers seem likely to win either way, but, for this war to be resolved, someone is going to have to take a financial hit. The BBC, in seeking to extend availability on iPlayer, would logically have to spend much more. Show 25 25 50 All. T elevision production is always a balance between putting bums on sofas and the bottom line, with the ultimate goal of making shows that audiences want at budgets that reward the makers.

Evidence of this trend — especially among younger viewers — encouraged the BBC to make BBC3 an online-only service, where box-setted shows, such as Clique, achieved audience sizes of a million plus, bigger than many shows on broadcast channels.

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If you see a TV producer driving a very smart car, it is likely that their prosperity came from reruns of some kind rather than original transmission. Yalifax seem likely to win either way, iplayef, for this war to be resolved, someone is going to have to take a financial hit.

BBC One – Last Tango in Halifax

The magazine Broadcast recently reported that the BBC plans to make an increasing number of shows available as box sets for extended periods of time. Yet, conversely, the BBC has irritated Sky by refusing to allow its shows to be box-setted on the Sky platform, insisting that secondary viewing of recent material should only be through the iPlayer.

In artistic terms, electronic box sets are good for viewers. Threads collapsed expanded unthreaded. Streaming has also crucially given a second chance to shows that were iplayet or undervalued when first ipayer.

Loading comments… Trouble loading? But the shift in post-release viewing has equally revolutionised television. Evidence suggests that a growing section of the audience prefers to watch — or re-watch — series, particular drama, as a continuous narrative.

Box, set and match: how on-demand became TV’s new battleground

This tension between artistry and business underlies a wathc row in the TV industry over the escalating popularity of the digital box set, which makes complete series of shows available for self-scheduled viewing. Many of the dramas now regarded as peaks of the medium — including Breaking Bad and The Wire — were only classified as classics through catch-up consumption.

But the corporation can be prone, in such negotiations, to present itself as a sort of broadcasting charity. For audiences, especially internationally, the subscription video on-demand SVOD market has blurred televisual branding.

The BBC, in seeking to extend availability on iPlayer, would logically have to spend much more. However, as consumers benefit, content-makers risk losing out. As often with the BBC, the economics seem unclear. If Auntie streams more work free for longer, then presumably the value of its own second-rights deals with Netflix would reduce, in turn making it even harder to fund the enhanced streaming deals that independent producers would understandably seek.

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Such download drops drive the popularity of on-demand services, led by Netflix and Amazon Prime.

Last Tango in Halifax

Order by newest oldest recommendations. Due to the electronic box-set phenomenon, two battles are now overlapping — between the BBC and the streaming networks, and the BBC and independent producers.

Independent producers point out tzngo streaming deals with Netflix or Amazon pay properly for the privilege of screening the content long-term.

Would it really be prepared to make up to the indies the loss that a longer BBC window would cause in the value of their content to the giant streaming networks? The market leader of the syndication model is the sitcom Seinfeld. As so often in the medium, creativity and commerce pull in opposite directions.

Digital viewing alternatives, though, gradually destroyed the market, until, instreaming and downloading overtook DVDsin both the UK and US, as the primary method of secondary viewing.

But the BBC, which sees the streamers as a threat to its historical dominance in drama and documentary, is retaliating with the same weapon.

BBC One – Last Tango in Halifax, Series 1, Episode 1

T elevision production is always a balance between putting bums on sofas and the bottom line, with the ultimate goal of making shows that audiences want at budgets that reward the makers. Such deals are sometimes cited as a model for British broadcasters to band together against the international threat. Show 25 25 50 All.

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